. . . : کارشناسی و کارشناسی ناپیوسته مرکز آزمون و سنجش حضرت علی(ع): ارزش هر کسی به میزان دانایی و تخصصی اوست
تعداد سوالات : تستی : ۳۰ تشریحی : ۰ زمان آزمون (دقیقه) : تستی : ۶۵ تشریحی : ۰ سری سوال : یک ۱ عن-وان درس : ادبیات انگلیسی ۱، درآمدی بر ادبیات انگلیسی ۱ رشته تحصیلی /کد درس : مترجمی زبان انگلیسی ۱۲۱۲۰۵۸ - ، زبان و ادبیات انگلیسی ۱۲۱۲۱۱۶ - ، آموزش زبان انگلیسی (ناپیوسته) ۱۲۲۵۰۸۲
1-A long lyric poem, serious in subject and treatment, elevated in style, and elaborate in its structure is called (a, an) ................. -
1. sonnet 2. ode 3. lyric * elegy
2-Genres can be divided into distinctive divisions according to ....................................... -
1
artistic expression and sense-based cognition
2.
imaginative representation and emotional touches 3. subject matter and main approach of the genre * emotional knowledge and mental activity
3-Hereditary stories of ancient origin which were once believed to be true by a particular cultural group and have human beings as their heros are called ...
1. fables 2. legends 3. folklores 4. anecdotes 4-‘The Fox and the Crow', and ‘the Merchant and the Genie' are ....................... that exemplify moral
thesis.
1. fables 2. legends 3. folklore 4. anecdotes 5-The Decameron and The Canterbury Tales are stories written by .................. and ....................... -
1. Aesop / Boccaccio 2. Chaucer / Aesop
3. Aesop/ Chaucer 4. Boccaccio/ Chaucer
6-The first step to understand a narrative in prose or verse, as a novel, short story, drama, or narrative verse, is understanding the .. ... it tends to reveal.
1. setting 2. subject 3. story 4 characters 7-Aesop's name became attached to a Collection of Beast Fables long transmitted
through.................. tradition.
1. realistic 2. dramatic 3. narrative 4 oral
8-The whole dominant emotional tone spread in a particular genre is called ...................... -
1. Aura * atmosphere 3. suspense 4. red herring 9-Setting is ordinarily imagined as ................ and ................. of a narrative or play. 1. impressions/customs 2. time / place 9 analogy/character * event/focus IOIO/IOIO3O84 نیمسال دوم ۹۱-۱۳۹۰ صفحه ۱ از ۴


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: کارشناسی و کارشناسی ناپیوسته --- - - - - - - ള്ള് مرکز آزمون و سنجش حضرت علی(ع): ارزش هر کسی به میزان دانایی و تخصصی اوست
تعداد سوالات : تستی : ۳۰ تشریحی : ۰ زمان آزمون (دقیقه) : تستی : ۶۵ تشریحی : ۰ سری سوال : یک ۱ عن-وان درس : ادبیات انگلیسی ۱، درآمدی بر ادبیات انگلیسی ۱
رشته تحصیلی /کد درس : مترجمی زبان انگلیسی ۱۲۱۲۰۵۸ - ، زبان و ادبیات انگلیسی ۱۲۱۲۱۱۶ - ، آموزش زبان انگلیسی (ناپیوسته) ۱۲۲۵۰۸۲
10-Nurkeed in" The Limitations of Pambe Serang" has a ............... character.
1. flat 2. round 3 dynamic 4 stereotype
11-The resolution of conflict in fiction or drama is called....................... - 1. falling action 2. deus ex machina
3. denouement 4 conclusion
12-Literary works are often crafted with a deeper meaning designed purposefully to make the
reader ................. and are rarely.................... -
1. objective/credible 2. think/predictable
3. flashback/dynamic * entertaining / critical 13- A plot, Aristotle maintained, should have (a)................. : it should "imitate one action."
1. unity 2. theme 3 resolution 4. tone
14-According to E. M. Forster, the difference between a plot and a story is not in their........................
, but it is in ...................... of a plot. 1. beginning/ending 2. narrative events/causality 3 time-sequence/arrangement * curiosity / falling action
15-The character of the narrator in “Once Upon a Time’ by Nadine Gordiner is more.................
than ................... -
1. dynamic/realistic 2. static/ rising
3 round/stereotype 4 flat / round 16-The character who undergoes changes in the course of a story is called ....................... -
1. existential 2. dynamic 3. flat 4. round
17-The creation of images of imaginary persons so credible that they exist for the reader as real within the limits of fictions is called (a).......................... -
1. dynamic * existential character 3 characterization 4. hero / heroine 18- In Katherine Mansfield's story," Miss Brill" is a ............................ character. 1. deluding and unsatisfied 2. social and frigid 3. self-contained and settled 4 content and pessimistic
IOIO/IOIO3O84
نیمسال دوم ۹۱-۱۳۹۰ صفحه ۲ از ۴







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. . .
: کارشناسی و کارشناسی ناپیوسته --- - - - - - - ള്ള് مرکز آزمون و سنجش حضرت علی(ع): ارزش هر کسی به میزان دانایی و تخصصی اوست
تعداد سوالات : تستی : ۳۰ تشریحی : ۰ زمان آزمون (دقیقه) : تستی : ۶۵ تشریحی : ۰ سری سوال : یک ۱ عن-وان درس : ادبیات انگلیسی ۱، درآمدی بر ادبیات انگلیسی ۱ رشته تحصیلی /کد درس : مترجمی زبان انگلیسی ۱۲۱۲۰۵۸ - ، زبان و ادبیات انگلیسی ۱۲۱۲۱۱۶ - ، آموزش زبان انگلیسی (ناپیوسته) ۱۲۲۵۰۸۲
19-What is the narrative point of view of “The Girl” by Jamaica Kincaid? ........................ - 1. First person. 2. Third person. 3. Omniscient. 4. Limited omniscient.
20-A narrative technique presenting the inward experiences of a character is called .......................... -
1. omniscient narration * first person point of view
3. third person point of view 4 stream of consciousness 21-Hemingway's ‘Hills Like White Elephants’ is presented through the ..................... point of view
narration.
1. objective 2. limited omniscient
3. omniscient 4. first person
22-In "On the Road", Hughes uses.................... to demonstrate a distinct relationship amongst blacks
and whites. 1. Jesus Christ 2. nature 3. church * sergeant 23-The theme of "A Clean, Well-Lighted Place" by Hemingway reveals.................................. -
1 conception of immortality that assumes various manifestations * complete courage and integrity of the individuals and his validation. 3. the desperate emptiness of a life nearly finished without the fruit of its labor
4. dynamic of personal choice within the infinite permutation of existence
24-The release of undesirable emotions like fear and pity at the end of a tragedy is called
1 dramatic convention 2. catharsis
3. aside 4. soliloquy
25-High comedy, unlike Low Comedy, is defined as the evoker of ............................. - 1. "human behaviour" 2. "intellectual laughter"
3. "nonrealistic drama" 4. "trivial-clownish behaviour"
IOIO/IOIO3O84
نیمسال دوم ۹۱-۱۳۹۰ صفحه ۳ از ۴








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. . .
: کارشناسی و کارشناسی ناپیوسته --- - - - - - - ള്ള് مرکز آزمون و سنجش حضرت علی(ع): ارزش هر کسی به میزان دانایی و تخصصی اوست
تعداد سوالات : تستی : ۳۰ تشریحی : ۰ زمان آزمون (دقیقه) : تستی : ۶۵ تشریحی : ۰ سری سوال : یک ۱ عن-وان درس : ادبیات انگلیسی ۱، درآمدی بر ادبیات انگلیسی ۱ رشته تحصیلی /کد درس : مترجمی زبان انگلیسی ۱۲۱۲۰۵۸ - ، زبان و ادبیات انگلیسی ۱۲۱۲۱۱۶ - ، آموزش زبان انگلیسی (ناپیوسته) ۱۲۲۵۰۸۲
26-What is the theme of "The Brute" by Checkov2 ........................... -
1. He explains how Smirnov falls in love with Ms. Popov before he can mention the money that should be paid.
2. He reveals how stingy and greedy Smirnov is who wants to take his money back in the middle of emotional crisis.
3. He shows how Ms. Popov is determined to prove to the world that she is more faithful than her philandering husband.
4. He explores the complexities of the human condition when faced with financial ruin and infidelity.
27-In" A Very Old Man with Enormous Wings", Marquez uses a constantly changing........................ voice to complicate both the setting and the events in question. 1. narrative 2, fictional 3 moral 4. symbolic 28-The reader, in "The Necklace" by Guy de Maupassant, expects (a,an)...................... in Mathilde's
character at the end.
1. brutality * self-sacrifice 3 change * ambiguity
29-The key theme of "Araby" by James Joyce is the ................................. - 1 romantic adventure of a young boy to reach his goal * fantasies about the bazaar to buy a great gift for the beloved 3 ridiculous idea of buying a gift for the ideal beloved one
* frustration of a young boy dealing with the limits imposed on him by his situation
30-The setting of the story, "Araby", is ......................... -
1. the boy's room 2. Buenos Aires 3. a bazaar in Dublin 4. at the village የ •ለየ•\•\|•\•\ نیمسال دوم ۹۱-۱۳۹۰ صفحه ۴ از ۴
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