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عادی دانشکاه پیام نوه کارشستای سی ŽNS مرکز آزمون و سنجش حضرت علی(ع): ارزش هر کس به میزان دانایی و تخصص اوست. گد سری سؤال: یک (۱)
- R
تعداد سؤالات: تستی: ۳۰ تشریحی: -- نام درس: زبان تخصصی رشته تحصیلی کد درس: هنر اسلامی ( نگارگری )(۱۷۱۲۱۱۵)
زمان آزمون (دقیقه): تستی: ۷۵ تشریحی: --
مجاز است.
I. FILL IN THE BLANK
1. A way of .............. that seeks to express inner feelings will not be bound by national frontiers. a. paints b. painting c. painters d. painted 2. The term .............. means relative lightness or darkness, whether in color or in black and white.
a shape b. Volume c. Value d. illusion 3. These experiments proved that colors are ............... of white light.
a. exceptions b. laws c. prisms d. components 4. Newton's .............. of color was formulated in the early 17" century.
a. reflection b. element c. origin d. theory 5. Our attention is ................... forcefully toward the most important part the composition. a. directed b. bounded c. rejected d. excluded 6. Unity and variety exist on a .............. , with total blandness at one end, total disorder at the other.
a. Spectrum b. decoration c. Sculpture d. concept 7. Based on your text book, .............. is a sense of oneness, of things belonging together and making up a coherent whole.
a design b. balance c. variety d. unity 8. The figure in Henry Tanner's painting is not .............. positioned in the composition. a. centered b. center c. centrally d. central 9. Wang Yani used rhythm in her paintings ................. , vigorously and energetically. a. Spontaneous b. spontaneousness
c. Spontaneity d. Spontaneously 10. One simple way of creating a pattern is by ............... a form throughout a picture plane. a. repeat b. repetition c. repeats d. repeating 11. VOCABULARYOne very important function of line, especially in drawing and printmaking is the creation of shaded effects.
a. hatching b. modeling c. making d. including 12. Picasso, in one of his works, sought a personal means of creating the illusion of a third dimension.
a. a gradual decrease b. make something smaller
c. a measurement in Space d. a small Chinese dish 13. When a person stops on a street corner and gazes upward, other passersby will also stop and look up, following the “line” of sight.
a. presses b. casts c. sits d. looks 14. Moreover, the forms are interconnected, as though all were branches of a vivid tropical plant. a likely b. lurid c. lively d. ludicrous
































































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عادی دانشکاه پیام نوه کارشستای سی ŽNS مرکز آزمون و سنجش حضرت علی(ع): ارزش هر کس به میزان دانایی و تخصص اوست. گد سری سؤال: یک (۱)
- R
تعداد سؤالات: تستی: ۳۰ تشریحی: -- نام درس: زبان تخصصی رشته تحصیلی کد درس: هنر اسلامی ( نگارگری )(۱۷۱۲۱۱۵)
زمان آزمون (دقیقه): تستی: ۷۵ تشریحی: --
مجاز است.
I. FILL IN THE BLANK
1. A way of .............. that seeks to express inner feelings will not be bound by national frontiers. a. paints b. painting c. painters d. painted 2. The term .............. means relative lightness or darkness, whether in color or in black and white.
a shape b. Volume c. Value d. illusion 3. These experiments proved that colors are ............... of white light.
a. exceptions b. laws c. prisms d. components 4. Newton's .............. of color was formulated in the early 17" century.
a. reflection b. element c. origin d. theory 5. Our attention is ................... forcefully toward the most important part the composition. a. directed b. bounded c. rejected d. excluded 6. Unity and variety exist on a .............. , with total blandness at one end, total disorder at the other.
a. Spectrum b. decoration c. Sculpture d. concept 7. Based on your text book, .............. is a sense of oneness, of things belonging together and making up a coherent whole.
a design b. balance c. variety d. unity 8. The figure in Henry Tanner's painting is not .............. positioned in the composition. a. centered b. center c. centrally d. central 9. Wang Yani used rhythm in her paintings ................. , vigorously and energetically. a. Spontaneous b. spontaneousness
c. Spontaneity d. Spontaneously 10. One simple way of creating a pattern is by ............... a form throughout a picture plane. a. repeat b. repetition c. repeats d. repeating 11. VOCABULARYOne very important function of line, especially in drawing and printmaking is the creation of shaded effects.
a. hatching b. modeling c. making d. including 12. Picasso, in one of his works, sought a personal means of creating the illusion of a third dimension.
a. a gradual decrease b. make something smaller
c. a measurement in Space d. a small Chinese dish 13. When a person stops on a street corner and gazes upward, other passersby will also stop and look up, following the “line” of sight.
a. presses b. casts c. sits d. looks 14. Moreover, the forms are interconnected, as though all were branches of a vivid tropical plant. a likely b. lurid c. lively d. ludicrous
































































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عادی دانشکاه پیام نوه کارشستای سی ŽNS مرکز آزمون و سنجش حضرت علی(ع): ارزش هر کس به میزان دانایی و تخصص اوست. گد سری سؤال: یک (۱)
تعداد سؤالات: تستی: ۳۰ تشریحی: -- نام درس: زبان تخصصی رشته تحصیلی کد درس: هنر اسلامی ( نگارگری )(۱۷۱۲۱۱۵)
زمان آزمون (دقیقه): تستی: ۷۵ تشریحی: --
استفاده از: مجاز است. 15. One artist who devoted a career to exploring the potential of geometric shape was the Dutch painter Piet Mondrian.
a. composed b. spent C. met d. worked 16. We think of outer space as a huge void, hostile to human life except when protected by complex support systems.
a. fractional b. lightness C. S11OT1N1OUS d. ideal 17. The center of emphasis in da Vinci's The Last Supper is the figure of Christ.
a separation b. attention c. work d. gradation 18. Light and dark, extreme dampness and extreme dryness are some types of agents which cause damage in paintings.
a. Shadow b. harm c. direct d. express 19. Synthetic paints were still a novelty in the 1930s, but within twenty years they had become a fact of everyday life and work for artists.
a. ՈCWՈCՏՏ b. painting c. novel d. medium 20. Katsushika Hokusai also made many landscapes during his prolifi career.
a. degrading b. decadent c. flourishing d. masterful PERSIAN WORD EQUIVALENT
21. Hatching is an area of closely spaced parallel lines.
هاشور زنی متقاطع .d نقطه گذاری .C هاشور زنی .b مدل پردازی .a 22. A mass is a three-dimensional solid.
ارزش .d شکل .C جرم .b نور .a 23. Intensity refers to the relative purity of a color.
ترکیب .d افراط.C جدیت .b شدت .lه 24. Watercolor is thought of as an intimate art, usually small in scale and executed with great freedom and spontaneity.
خودانگیختگی .d آزادی خواهی .C تقلید گونگی .b خودخواهی .a 25. The oldest of the intaglio techniques is engraving.
پارچه .d ترکیبی .C چاپ گود .b نقاشی .a
" نیمسال اول ۹۱-۱۳۹۰ صفحه ۲ از ۳

















































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عادی دانشکاه پیام نوه کارشستای سی ŽNS مرکز آزمون و سنجش حضرت علی(ع): ارزش هر کس به میزان دانایی و تخصص اوست. گد سری سؤال: یک (۱)
تعداد سؤالات: تستی: ۳۰ تشریحی: -- نام درس: زبان تخصصی رشته تحصیلی کد درس: هنر اسلامی ( نگارگری )(۱۷۱۲۱۱۵)
زمان آزمون (دقیقه): تستی: ۷۵ تشریحی: --
مجاز است. II. Read the following text and then answer the questions
استفاده از:
READING COMPREHENSION
Watercolor has been an important part of traditional Japanese painting, where it is often combined with ink or ink washes (sweeps of diluted ink). Japanese brushwork lends itself especially well to a rapid, assured execution. In 15th-century Japan, landscape painting in watercolor and ink reached a high point of development, and the great master of the style was Sesshu. His Autumn Landscape is a wonderfully composed arrangement of diagonals—one from the trees at upper right to the ground at lower left, another cutting from middle left to intersect with the first and focus attention on the pagoda near the center of the painting. Throughout the painting Sesshu's brushwork is sharp and assured. Only a few strokes are needed to show us the essence of forms.
26. Generally speaking, the above paragraph talks about watercolor as a(n) ............. a rapid, assured execution b. flexible medium, capable of yielding very different effects c. important part of traditional Japanese painting d. wonderfully composed arrangement of diagonals 27. It, in line 2, refers to ................
a. traditional Japanese painting b. ink washes
c. sweeps of diluted ink d. Japanese brushwork 28. What does ‘essence’ mean?
a liquid b. quality c. border d. motion 29. ‘Pagoda' in the above paragraph is a ............
a. temple b. roof c. plant d. painting 30. It is implicitly stated that Japanese landscape painting in watercolor has been used ............... a. from antiquity b. for 15 centuries c. from 15 centuries ago d. at least from the 15th century





























































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